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Dickens voice is so wonderfully verbose and musical and compelling, it's easy to get addicted to his language, his crazy extended metaphors and run-on sentences and witty character descriptions. The toughest trick, in my mind, was how to infuse that amazing voice into the book while keeping the story lean and visual, not choked by excessive text.

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Nrama : How familiar were you with Harvey Kurtzman's work? What particular qualities do you associate with his writing and artistic style, and what did you want to be careful to preserve in adapting his manuscript? I really think that Kurtzman and Dickens are two of the greatest storytellers in the English language.

But they're so very different from each other. Where Dickens is wordy and jolly and over-generous, Kurtzman is sharp and nimble and minimal.

A Christmas Carol the Graphic Novel

Keeping the witty, sharp, choreographic music of Kurtzman's storytelling was deeply important to us. Nrama : Tell us a bit about your collaborative process - co-writing, working with Gideon, with the editors, etc. But the entire process was very collaborative.

Comics Let's Talk....A Christmas Carol

There was a lot of sending scripts, roughs and artwork back and forth, refining over draft after draft. I think the book came out far better as this hybridized collaboration than it could have without this team in place. Denis and John were very involved editorially, guiding us along the way.

A Christmas Carol: The Graphic Novel - Sean Michael Wilson, Charles Dickens - Google книги

It was kind of an all-hands-on-deck situation. But ultimately, we all trusted Gideon to bring this thing to life in the way only he could, and a way that Harvey would have been proud of. What do you think makes this particular interpretation unique? It may be the most-told story in the English language, outside of the Bible. But I think Kurtzman was going for something different.

A Christmas Carol (Classics Illustrated)

As indicated by his change of the title to Marley's Ghost, he was going for something a little spookier and more haunted than the traditional versions. This is a ghost story with a powerful moral message, and so many versions just drown all of that in sentimentality.

So, we tried to restore some of the creepy ghostly magic that's in Dickens' original. The tone and atmosphere are different from any Christmas Carol adaptation I've seen before. Set in Victorian England and highlighting the social injustice of the time we see one Ebenezer Scrooge go from oppressor to benefactor when he gets a rude awakening to how his life is, and how it should be.

This is the original text of the classic novel but brought to life in full colour. If you would prefer to read a modern quick text of A Christmas Carol then click here. Set in Victorian England, this Christmas tale highlights the social injustice of the time we see one Ebeneezer Scrooge go from oppressor to benefactor. One would have to possess a heart like stone to be unmoved by the story of Bob Cratchit, Tiny Tim and, eventually, old Scrooge himself.

Dickens' message about the importance of thinking of others is more relevant now than ever.

His genius is that he can make the most cynical of readers become child-like and joyous at the turn of a page. So it isn't all talk and no action; the adaptation into comic - sorry, 'graphic illustrative' - format cannot be faulted. Charles Dickens was an English writer and social critic who is generally regarded as the greatest novelist of the Victorian period and the creator of some of the world's most memorable fictional characters.

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During his lifetime Dickens's works enjoyed unprecedented popularity and fame, and by the twentieth century his literary genius was fully recognized by critics and scholars. His novels and short stories continue to enjoy an enduring popularity among the general reading public. Throughout there are numerous Dickens Events mark the bicentenary of his birth - www.

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